It's very much in essence a mental breakdown for John. Running away may have given her physical distance from her toxic family, but mentally she can’t keep them out. Why didn’t the Rayburns, who have always preached “family first,” welcome Nolan (Owen Teague) and Danny with open arms? It's not meant to be coy. I so want Belle to run. Bloodline ends with Sally (Sissy Spacek) and John Rayburn (Kyle Chandler) on fraught terms. Danny’s ghost (Ben Mendelsohn), who returned to haunt John in the final two episodes of the series, eggs him on; while another figment, in the form of a young Danny, assures him that Nolan doesn’t need to know. So [we wanted] to take an episode and really delve into not only what John is thinking about but also put the audience in John's shoes and have it be uncomfortable. Good move, since he’ll be dealing with the arrival of Eve (Andrea Riseborough) in the morning. Who’s in your. Meanwhile, Ozzy runs into Diana Rayburn (Jacinda Barrett) after a jog, offering to help with a flat tire. The casting directors outdid themselves. Grande holds the record for most No. Why is Aguirre looking over old case files? Alibi aside, Aguirre is up to something. He might as well be wearing a T-shirt that says “I Slashed Your Tire.” Diana quickly gathers that he knows more about the Rayburns than he should. Last we see her, she’s run off to California, where she now goes by “Amy,” sports a crazy goth back tattoo, and has a whole new set of friends. ), she proceeds to get wasted and rant to Kevin and John that “the sea takes everything” and point the finger at them as the reason why her life is ruined. Why did you want to devote a whole episode to that? So much of the series is about dealing with the truth and perspective and where those two things collide. After running the prints, he now knows who he’s after — and discovers that Ozzy knew Danny. Meg is relentless, asking if he hurt her or if she went to the hospital. I don’t buy it for a second, and I hate seeing an actress of Sevigny’s caliber used in such a rote role. Beyoncé Keeps Election-Eve Endorsement Tradition Alive, Rock Hall of Fame Permanently Pushes Future Ceremonies to Fall Due to COVID-19. SAN FRANCISCO. John Rayburn (Kyle Chandler) gets up in the middle of the night, panicked. And so is his personal dilemma about how he deals with what happened between him and Danny and the family history and whether he can put an end to what's at the core of this family of not dealing with truth. What Comedian Sarah Cooper Can’t Live Without, “This is one thing that we will have until it breaks, and then we’ll buy another one exactly like it.”. He makes a beeline to a file cabinet, where he’s stashed a bottle of clear liquid. So the feeling for us from the very beginning was this was going to be a family tragedy, and going all the way to the most powerful stories that are tragedies, things don't tend to resolve themselves in a tidy way. Marco mentions the campaign, and Aguirre drops an interesting line: “You and me, we got history, too.” Did Marco bury the domestic-abuse call? John is really the center, in essence, the moral center of the series, of the story, of the family, from the very beginning of the first episode with his voiceover. In essence, removing the external threat of being caught, being arrested, being put through a legal process, the center of the show is just these deeply personal decisions that we all make in regard to family relationships and family history in pursuit of that truth and how we can hopefully either free ourselves or come to clarity on the roles we play in family. In terms of what the audience thinks they want, obviously there are ways of telling the story where they get arrested, where John gets killed, where there's a comeuppance for these characters. And John, after seeing a matchbook that says “Ask Me What I Want,” goes off to find Ozzy. This was your first time working with Netflix. It’s a pretty gross scene, and a bit overwritten. So much of this third season is about putting the audience in the shoes of these characters, trying to align the audience with the characters' predicament. Is the right thing to do to confess to Nolan about what happened, and that helps clear John's conscience and may in essence lead to changing the family and changing the family dynamic? It's meant to leave the audience with answering it for themselves: What is the right thing to do? Eric is a pawn on both sides of the board; who will decide to sacrifice him first? They're an extraordinary company, and they're extremely supportive and their desire is to do things that other places aren't doing or actors, writers and directors aren't doing and really give the creative community a platform to basically express themselves. The Hollywood Reporter is part of MRC Media and Info, a division of MRC. Ending on that moment of the two of them and how John is going to address the truth felt like the most relevant and also resonant ending for the series. The most important detail: A family dinner at the Inn goes horrendously. And now she’s using it. And watching it, there's a sense of confusion as it starts out. And it allows Danny to reappear; it allows us to explore more of John's subconscious, what he's thinking and wrestling with and his true showdown with his own identity in his role within the family. And he's the one who obviously killed Danny. 5:00am PT “You’re gonna leave town, Ozzy. Kevin notes that his dad never told him that he was proud of him, which Sally essentially blows off. It seems like Ozzy won’t make the end of the season — John may have just killed him in front of the Red Reef — but I’m starting to think a regular might be in trouble, too. In this episode’s best scene, we get a conversation between Kevin and Sally (Sissy Spacek). Photo: Netflix. Already a subscriber? John doesn’t care what Ozzy wants. It's structurally very different from the rest of the series. But we're not answering it," Kessler tells The Hollywood Reporter. What does Kevin Rayburn do in times of crisis? Riseborough and Leguizamo have been very good, too. They convince themselves that they always deserved lemonade in the first place. We’re not there quite yet, but we’re getting close. First, Eve takes Jane out for coffee to answer her questions and plant some seeds of discontent regarding her family. And keeps punching. That's the very specific reality that he's faced with. The events of the show are meant to be an extreme and, hopefully, not meant to be that an audience relates to them at every step. She faces a tough decision: Keep pushing dirty politics to get her brother elected, or protect her ex? Instead, as Kessler explains, by that point, the audience should be able to put themselves "in the shoes of the characters" and decide for themselves what happens. Sign up for our COVID-19 newsletter to stay up-to-date on the latest coronavirus news throughout New York City. How does this guy sleep with all this guilt and pressure? But the reality of this with the Rayburns is hopefully going to a place that's deeper that resonates with a sense of, "What does that actually mean?
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